About us of the Es Revellar Art Resort in Campos. Official Website.
History and Origin of Es Revellar Art Resort
The birth of an innovative idea (1993)
The project was born from a clear and uncommon idea at the time: bringing art out of museums and integrating it into nature, allowing the works to interact with the landscape and become part of a living environment. The goal was not to create a conventional museum, but a space where art could be experienced in a freer, slower, and more natural way, avoiding the so-called museum fatigue¹.
Choosing Mallorca as the ideal destination
Discovering the historic Es Revellar estate
From abandoned estate to a unique artistic space
This period of renovation was also a time of artistic consolidation. In parallel with the construction, new art collections were added, such as the Guinea Papua collection and the collection of terracotta pieces from the Niger River basin, now displayed in the museums and in the cave at Es Revellar.
The consolidation of the art collections
Spain’s first Art Resort
Art, nature and human evolution
Thanks to more than thirty years of work and a private collecting effort started over forty-five years ago, Es Revellar Art Resort now hosts an exceptional art exhibition that also includes movements and artists such as Goya, Impressionism, Cubism, and American Abstract Expressionism.
A Unique Setting Where Art Comes to Life
Located near the natural beach of Es Trenc, Es Revellar is configured as a unique Mediterranean enclave where art, nature, history, and tranquility converge.
Welcome to Es Revellar Art Resort.
Where art comes to life.
¹ Museum fatigue: A concept coined in 1916 by Benjamin Ives Gilman, curator at the Boston Museum of Fine Arts. Museum fatigue refers to the physical and cognitive exhaustion that can result from visiting a traditional museum, often caused by demanding museographic design and a high concentration of stimuli. Various studies indicate that after approximately an hour and a half of visiting, it becomes difficult to retain and process information effectively. One proposed solution is the creation of open museums with spaces for rest, social interaction, and contact with the surroundings.
² Land Art: Land Art, proposed by Robert Smithson, also known as Earth Art or Environmental Art, is a contemporary art movement in which the artwork and the landscape are closely linked. It uses natural elements—such as earth, stone, wood, water, or wind—to directly intervene in the environment. The works are conceived from the site itself, creating pieces that lie between sculpture, architecture, and landscaping, giving the natural space a fundamental role within the artistic creation process.
² Land Art: Land Art, proposed by Robert Smithson, also known as Earth Art or Environmental Art, is a contemporary art movement in which the artwork and the landscape are closely linked. It uses natural elements—such as earth, stone, wood, water, or wind—to directly intervene in the environment. The works are conceived from the site itself, creating pieces that lie between sculpture, architecture, and landscaping, giving the natural space a fundamental role within the artistic creation process.
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